Charcoal on drawing paper
100 x 40 inches
New York City, 2025
48 x 48 inches .
New York City, 2025
18 x 24 inches
New York City, 2024
50 x 34 inches .
New York City, 2025
18 x 24 inches
2024
New York City, 2024
The city! The city! The citadel! Hair loss and cosmic derailment. Step right up folks and get lost in my three part drawing exploring— exploring....? exploring.
Is the city just a clump of tangled hair that fell off the head of another cosmic trainwreck? Would you feel less alone if we talked about it? Maybe we should take up a new language and connect to beings from this realm and the next. Does anyone know the difference between milk, cream and half and half??
How else, if not conjuring ghosts, gods and tricksters, will we ever be able to talk to each other? I'm asking for a friend
18 x 24 inches
2024
New York City, 2024
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Metalwork
Oil and Acrylic Painting
Set design
Performance
Writing
Ceramics
New York City, 2025
NEO-BABYLON (ZINE)
New York City, 2025
INSTITUT FRANCAIS
Rome, 2023
ART TRIBUNE
Rome, 2023
CALACA MX (EDITION TITLE: INTER)
London, 2022
DAZED DIGITAL
London, 2022
25 East Gallery
New York City, USA
2025
La Stanza dei Manifesti
contributing artist
Hercole
Milan, Italy
2024
Aperto per Lavori
contributing muralist
The French Embassy
Rome, Italy
2023
Un Lieve Circoscrivere
curatorial assistant
ETworks Studio
Rome, Italy
2023
Spaziotempo
curatorial assistant
ETworks Studio
Rome, Italy
2023
Mundos Paralelos
contributing artist and curator
The UK Mexican Arts Society
London, UK
2022
Casa X
curator
The UK Mexican Arts Society
London, UK
2022
Parsons The New School
New York City
class of 2026
Ba (Hons) Culture, Criticism and Curation
Central Saint Martins
London, UK
class of 2022
New York City, 2025
In Secretus;Secretion;Secret, the third iteration of the Misconstruction Sites series, I address (the impossibility of?) a reckoning with the colonial lineages of my bloodlines while peering outwards, towards contemporary panoramicas of violence.
New York City, 2025
This ongoing body of work focuses on the edification of immersive and ephemeral sets/environments. Fragility and precarious truths are expressed via protruding portal-like metal armatures, puncturing the space.
The symbol of the firearm vaguely prevails over the scene-- castrated rifles await activation, queered shots are fired inconclusively.
This conniving practice negotiates the affect of violence. My poetic stance, written as an Epistemology of Irrelevance AKA the Pursuit of Misconstruction, aids me in probing the linguistic and symbolic imaginaries designed by fascist power structures.
New York City, 2025
In Eternal Scaffolding, I flirt with enclosure by converting a small room into a surreal cityscape. Using common papers in a structural fashion, I set up a liminal architecture only to carve into the whiteness with charcoal, demanding more space from the space. A soundscape made from blended field recordings and a non-verbal performance further activate the landscape.
My expectations for the audience vary according to the occasion: at times, they are involuntary paintbrushes, inevitably marking the space with their footsteps. Other times they become accidental actors, tripping over the design of the set. What stays the same is the will to blur subjectivity and norm, as the objects of an ever-shifting game of defeated expectation
New York City, 2025
1 installation; 3 activations.
In Self-Identifications, I explore the theme of digital identities and the echo-chamber of art school in a room a la Colette–using fabric, finely crafted soft sculptures, photographic transfer collages, floating screens with video projections, and live performance.
One iteration of this site (Stage II) included a floating screen, sliced to the proportions of my computer, on which I projected the video performance (last slide) grappling with self identification in systems of surveillance.
New York City, 2025
The installation features three hand crafted mdf panels reminiscent of old school theatre set designs and a series of charcoal drawings on crumpled papers of different weights and transparencies.
Exploring themes of grief and despair, a brutal wasteland is promptly interrupted by hidden large scale drawings and occasional video projections reminiscing (or proposing) a pulse of life in an otherwise desolate climate.
Text is rendered illegible by texture and displaced language and public interaction is promoted by a dual reading of the pieces in the space.
Themes of migration, fractured lineages and political uncertainty are expressed via the overlapping of drawings made on crumpled tracing paper, a pictorial use of lighting and a spatial design that places the viewer in the ambiguous role of both actor and audience.
New York City, 2024
An exploration on friencdship expressed through the concept of Portal Theory.